the surrealists were a bunch of social climbers

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Where Bennifer's awkward experiments with the public sphere ignite new perspectives

Michal Ronel
May 8, 2021
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Beniffer (Affleck in 2021: “me dating Jennifer Lopez happened to be that tabloid story at the time when that business grew exponentially”) various artefacts, circa 2002-2003 A.D. — Game Informer 2002 GTA cover — Willa Nasatir’s pink horn — Update from Deliveroo — Mugler’s ass corset — Eyeroll in Belgravia — View of the Frick Madison featuring Giovanni Bellini’s St. Francis in the Desert, ca. 1476–78, with a Marcel Breuer window (Anne Higonnet: “I could not help feeling that the installation in the Frick mansion was more honest. There, it was absolutely clear how Henry Clay Frick’s ruthless capitalist exploitation of labor, together with his devastatingly toxic industrial manufacturing, purchased transcendent beauty. In his mansion, we knew who pays for what, and who gives back to the public domain in exchange for public gratitude.”)

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